Oahu
The Caine Mutiny Court-MartialOahu provides the setting for the Caine’s early minesweeping exercises and a small but important shift in Willie Keith’s experience of life aboard the ship. As the Caine leaves the channel, the island’s landmarks open onto a scene in which the old minesweeper seems, for a moment, brisk and impressive rather than merely worn and uncomfortable.
Setting and Naval Activity
After four days of repairs, the Caine receives orders to put to sea for minesweeping exercises in waters near Oahu. When Willie brings the decoded message, Captain de Vriess remarks that the assignment may coincide with Captain Queeg taking over command. Willie asks whether the exercise means the ship will soon sweep mines in earnest; Captain de Vriess answers only that it could. The exchange places Oahu at the boundary between routine training and the possibility of more consequential naval work, without confirming that the ship will soon face actual minesweeping operations.
The Channel and the Island
A squall passes as the Caine clears the channel entrance, and the sun comes out. After his watch, Willie goes to the forecastle to look at Diamond Head and Oahu’s green hills. The view accompanies a change in the sea and in his immediate outlook: the water is calm and blue, and the Caine drives through it at twenty knots. Willie is surprised by the speed of the old minesweeper, in which traces of former destroyer grandeur remain despite its rusty, ruined appearance. The steep roll and spray from the bow make the ship’s motion palpable, but Willie takes pride in not being seasick.
Willie’s First Ease at Sea
The passage by Oahu gives Willie his first moderately happy moment since arriving aboard the Caine. That ease proves brief. When he goes below for coffee, Tom Keefer catches him and assigns him the dreary task of correcting publications. Willie must work through red ink, scissors, paste, and minute changes to naval instructions while the ship’s motion makes the table he is using rise and fall. He also discovers that some corrections are obsolete: after spending an hour entering one set, he finds newer printed pages that replace it, and recognizes other corrections as material he had already entered months earlier in CincPac’s books. The contrast makes Oahu’s open view and the ship’s speed a short-lived respite from the repetitive, frustrating labor of service.